The Second World War comes to an end. Sira stops working with the British Secret Service and begins a new life with Marcus. But just as she is about to become a mother, a tragic event changes everything. To survive and raise her son, Sira reinvents herself once again. Four cities, two missions, and a new calling.
César Beltrán (Hugo Silva) must face a new enemy, more relentless and determined than any police officer, rival, or criminal he has encountered in the past: Marbella’s anti-drug prosecutor, Carmen Leal (Natalia de Molina).
Carmen is convinced that very little can be done against the criminal organizations that control trafficking on the Costa del Sol unless the people responsible for many of the recent failures of justice are first eliminated: the three main lawyers who defend most of the criminals.
‘Drag Race España’, directed by Lola Ibarreta and Jonathan Ruiz Camino in its fifth season, searches for Spain’s next drag superstar through a series of challenges. In each episode, the queens must face tests of sewing, talent, dancing, or acting to avoid elimination and make their way through the competition until the Grand Finale. They will do so in mini challenges and maxi challenges that will test all their skills. The end of each episode always features a grand runway where the contestants showcase their best ‘looks’ according to the category.
Three months have gone by. With their relationship crisis still unresolved, Berta and José Ramón are kicked out of their apartment. After a long search, a neighbor offers them, for a modest price, an apartment right next to the one they had—but it won’t be available for another six months. They decide to wait and, in the meantime, move in with his parents. One day the sister-in-law shows up—she has also lost her home—and moves in with them. Living with family, whether in-laws or one’s own, is a trial by fire for any couple. And Berta and José Ramón, as we have already seen, are not the best prepared to overcome trials by fire.
José Ramón Garrido is a former Olympic badminton player who survives by teaching physical education at a public school in Vallecas. Divorced and without hope, Joserra believes he has discovered in a school tournament the diamond that could turn his life around. Mar, a teenage player, might be the ticket that takes him closer to his dream of competing in Jakarta, the city where former players like him are respected like stars.
But Jakarta is very far away—especially for two strangers like Joserra and Mar. Together, they will have to learn to tolerate each other while embarking on a journey full of rundown inns, declining sports centers, and gas stations, passing through Totana, Ponferrada, Torrelavega, and Tardajos before reaching the Indonesian capital. If they even make it…
Adolescence is the time of firsts: the first drunkenness, the first petting parties, the first "I love you"... And the first grief.
The new school year at Zurbarán begins marked by the loss of a student, prompting the parents' cooperative now managing the school to make a decision: create a support group for the students. As a result, eleven very different teenagers end up sharing a space where they'll clash head-on, but where they'll also come to know themselves and share their passion for life. And for falling in love.
Angela leads an apparently idyllic life outwardly: she has two fantastic daughters, a charming husband, and a spectacular house. However, this façade is a fraud, and she finds it increasingly difficult to maintain.
In reality, Angela is a woman abused by an obsessive husband who has convinced her that without him, she would be nothing. Until one day, Edu appears, a handsome young man who reveals surprising secrets to her and is willing to help her by removing him from her life.
'Y ahora, Sonsoles' is a program with its own voice. Sonsoles Ónega leads a wide range of collaborators including journalists, writers, businessmen, specialists in social chronicles, events, or those who come from the world of philosophy or law. All of them form a team that mixes experience and freshness, seeking to renew the usual faces and bringing new faces to television.
At Buendía Estudios, we create, develop, and produce audiovisual content. With an experienced creative team and the support of our subsidiaries in the Canary Islands and Bizkaia, we have a solid structure that makes the most of technological and financial tools to ensure impact, sustainability, and efficient management in every project.
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